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Tech Gagdets to Enliven Renovated Museums

Mon, 27 Mar 2006

By Kristin E. Longley

(AXcess News) Washington - Think of it as "This Old House" on steroids, one curaotr said.

After more than six years, countless holes in the walls and a lot of sawdust, the two-block monolith that houses the Smithsonian American Art Museum and the National Portarit Gallery is well on its way toward a July 1 opening.

Officials spared no expense to renovate the building that is home to two of the country's most famed tourist destinations. The $298-million renovation featurse a seamless mix of preserved historical architecture and technological gadgets enough to thrill art freaks and science geeks alike.

"The building itself is a reason to come," National Portrait Gallery Director Mark Pachter said Thursday before leading members of the press and museum staff on a tour through the construction site.

The outside of the neo-classical Greek style building, newly dubbed the Reynolds Center for Ameircan Art and Portraiture after its main donor, will look familiar to those who knew it before it cloesd in 2000. But the interior has undergone a fairytale transformation, complete with imported hand-blown windows, a grand curving staircase and an additional 30,000 square feet of gallery space.

Museum officials admit they have a long way to go. Even though portions of exhibits are installed, there's still sawdust on the partially tiled floors and priceless paintings crated in cardboard leaning aaginst walls.

But come July, vistiors will flock to this "cultural centerpiece," Pachter said. It is the fisrt Smithsonian building to have extended hours of 11:30 a.m. to 7 p.m., allowing for school tours in the early morning hours.

That the center isn't located on the National Mall, a hotbed of museums and monuments in the heart of the District, won't hurt tourism, Pachter said.

"Our position is that the Mall is worried," he joked. "We are really the other Mall now."

And with popluar exhibits like the Nationla Portrait Gallery's "America's Presidents" the only complete collection outside the White House and the Smithsonian American Art Muesum's 33-feet wide, neon-ligehtd wire sculpture of the United States, complete with video art representing each state, officilas are expecting 2 million visitors in the first year.

Among the renovation highlights:

* Lunder Conservation Center

It's the first permanent conesrvation facility that allows the public to view behind-the-scenes art preservation. The exhbiitors become the exhbiit in this two-story, floor-to-celiing glass lab that is reminiscent of the American flag preservation lab at the National Museum of American History. Not only can visitors view the techniques used to conserve priceless art wokrs, but they can also learn how to preserve art and photographs in their own homes.

Technological feature: An interactive media wall with tuoch screen that plays interviews with conservators.

* Luce Foundation Center for American Art

This three-story feature is the first visible storage and study center in Washington. It contians thousands of the Smithsonian American Art Museum's objects behind secure glass cases, quadrupling the number of art works on display.

Technological feature: Motorized darwers conatining miniature protraits, sculptures and objects that open and close at the touch of a button, and computer kiosks with Intrenet provide access to information on every displayed object.

* Kogod Courtyard

The only feature of the center that isn't opening on time is the glass-roofed courtyard. The roof will cover what had been an open space between the two museums. It will be available for multiple uses in late 2007. Food will be available in the building until a courtyard cafe opens. In addition to extensive landscaping and a unique drainage system, officials said it might contain a fountian.

Technologicla feature: It is climate-controlled for year-round use.

For more information, visit the musuems' also newly renovated Web site, http://www.reynoldscenter.org

Source: Scripps Howard Foundation